EVENTS

L#05

EVENTS

L#05

EVENTS

The Geography of Evils in the Paris Region

Kaveh Rashidzadeh holds a prominent position within the academic faculty and serves as the director of the urban planning department at Azad University, South Tehran branch. His academic journey includes the acquisition of a doctoral degree in urban planning from IUAV University of Architecture in Venice. Prior to this, he pursued studies in urban planning at TUDelft University of Technology, urban design at Tehran University, and architecture at Shahid Beheshti University.

Dr. Rashidzadeh’s primary research focus centers on the intricate task of mapping the spatial-historical dimensions of societal damages. He has, notably, applied this innovative research methodology to the city of Paris, spanning a millennium.

In his doctoral thesis completed in 2014, Dr. Rashidzadeh delved into the notion that suffering and harm within societies possess discernible geographic characteristics. His exhaustive efforts culminated in the creation of an atlas documenting the geography of suffering and harm in the city of Paris over the past millennium. An analytical examination of this atlas yields fresh insights into multifaceted urban issues such as poverty, spatial equity, informal settlements, and social housing.

Organizer: Cama Circle

Present by: Kaveh Rashidzadeh Ph.D.

Date: September 14, 2018

Location: Isfahan Book City

My Role: Planned, supervised, and coordinated

Isfahan Premise

To engage with the topic of architecture and urban planning, particularly in the context of Isfahan, a series of meetings were convened to elicit fresh perspectives and ideas, drawing upon the expertise of diverse academic disciplines. These sessions commenced with intimate and constrained gatherings within the Cama Circle studio, subsequently transitioning to the utilization of historically significant locales, repurposed as museum spaces.

Isfahan Premise at Chehel Sotoon Palace

This conference took place at the Chehel Sotoon Palace, with a primary focus on contemporary societal issues intertwined with the realm of art. Its aim was to engage the audience in both theoretical and practical dialogues within this domain. During this gathering, professionals from diverse disciplines, including architects, urban planners, sociologists, and artists, convened to deliberate on their respective approaches to navigating the challenges, events, and activities prevalent in contemporary society.

Ali Sheikholeslam | Designer

The topic of the speech: Isfahan – Age of wisdom

Soroush Sehat | Actor and Writer

The topic of the speech: Memories of Isfahan

Behrouz Malboos Baf | Cinematographer

The topic of the speech: Nowruz in Isfahan

Farmarez Parsi | Architect

The topic of the speech: Urban Space in Historical and Modern Isfahan

Kaveh Rashid Zadeh | Urban Planner

The topic of the speech: Isfahan must have an Isfahan museum!

Mohammad Arab | Architect

The topic of the speech: Chaharbagh, Idea or Form?

Organizer: Cama Circle

Present by: Ali Sheikholeslam, Soroush Sehat, Behrouz Malboos Baf, Farmarez Parsi, Kaveh Rashid Zadeh, Mohammad Arab 

Date: May 23, 2018

Location: Chehel Sotoon Palace

My Role: Planned, supervised, and coordinated

Nasrine Seraji – Isfahan

Once, the city of Isfahan and its architectural wonders held profound significance. In the domains of architecture and urban planning, public spaces, visual arts, landscape design, literature, philosophy, and wisdom, Isfahan had much to contribute to the cultural heritage of Iran and the world at large. However, we must now reflect on our present situation. To what extent do contemporary architects, artists, planners, and administrators pay homage to this rich and irreversible historical-cultural tapestry in their professional pursuits? How significantly does the contextual backdrop influence the creation of urban spaces in Isfahan? Furthermore, what intangible factors exert their influence on the city’s design, planning, and management? In the context of today, what does Isfahan’s architecture and urban planning have to convey, and what lessons should it glean from its past achievements, contemporary requirements, and global insights and experiences?

The presence of Professor Nasrine Saraji, an accomplished architect and urban planner residing in France, served as both inspiration and a catalyst for our endeavors. It provided us with the impetus to engage in a meaningful discourse surrounding these questions. Our discussion took place in the company of dedicated professionals and experts from various fields, including architecture, urban planning, sociology, visual arts, and documentation. This gathering sought to offer multifaceted perspectives on Isfahan’s historical narrative and its contemporary realities.

The meeting unfolded in two distinct segments:

  1. The first segment featured a lecture delivered by Ms. Nasrine Saraji.
  2. The second segment involved a discussion in the presence of esteemed individuals such as Amir Mohammad Akhavan (architect and landscape architect), Maziar Okhowat (urban planner and writer), Catherine Spiridonoff (architect and urban planner), Nasrine Saraji (architect and urban planner), Ali Sheikholeslam (architect and urban planner), Zohra Rouhi (sociologist), Ali Mahboubi (visual arts artist), and Behrouz Malboos Baf (cinematographer). The discussion centered around the theme of contextualism in Isfahan’s architecture.

Organizer: Cama Circle

Present by: Nasrine Seraji

Date: December 30, 2016

Location: Farshchian Cultural and Art Complex

My Role: Planned, supervised, and coordinated

The Baroque Period in Architecture and Music

Music and architecture share fundamental concepts that resonate with one another. These shared elements include notions of rhythm, equilibrium, ornamentation, and style, among others. In a recent session, we delved into these shared concepts with Afshin Torabi, a distinguished scholar holding a Ph.D. in music. Furthermore, we explored these parallel ideas within the context of architecture and music during the Baroque era.

During this enlightening session, Dr. Torabi treated the audience to several musical compositions, using each piece to elucidate key concepts such as rhythm and ornamentation. This fusion of architecture and music from the Baroque period offered a unique perspective on how these two art forms converged and informed each other during a particularly rich and transformative epoch in history.

Organizer: Cama Circle

Present by: Afshin Torabi Ph.D.

Date: August 8, 2017

Location: Cama Circle

My Role: Planned, supervised, and coordinated

Cama Gallery

During the holiday marking the commencement of the new tropical year in 2018, we orchestrated an exhibition within the premises of Cama Circle. The primary objective behind this initiative was twofold: firstly, to introduce the broader public to the inner workings of a design office and the intricate project development process; and secondly, to solicit valuable feedback from attendees regarding their perspectives on the various projects and their respective execution processes.

The exhibition provided a platform for showcasing an array of projects and the tangible products that were conceived and crafted within our studio. A comprehensive collection of project documents, including design blueprints, prototypes, images, and videos, were meticulously curated and displayed within the studio’s confines. This exhibition extended over a span of five days, allowing ample time for engagement and interaction with the exhibited materials.

Organizer: Cama Circle

Present by: Cama Circle

Date: March 25, 2018

Location: Cama Circle

My Role: Planned, and coordinated